Second streetlight to the right

Sassafras Lowrey’s new take on Peter Pan is the queerest yet


Every time there’s a new production of the perennial tale of Peter Pan, someone feels compelled to note how queer it all seems. JM Barrie’s century-old creation seems to have invented the idea of gay subtext, with its tragic yet ageless boys, historians debating whether Barrie was asexual or a pedophile and the British child labour laws that led to women playing Pan on stage, establishing a theatrical tradition. Pan’s history has always been one of gender and sexual fludity, and now Brooklyn-based writer Sassafras Lowrey has flown with it in a new novel, Lost Boi.

“I wanted a novel that was magical and playful but also gritty and real,” Lowrey says. “Barrie’s story is incredibly dark, much darker than the adaptations (for child audiences) have tended to be. I loved the darkness of his work and was inspired by it, including his portrayal of orphans. The story just really lent itself to being updated and queered.”

“I was really lucky when I was 19 to have the opportunity to be part of a writing and performance troupe that Kate Bornstein was directing called The Language of Paradox,” Lowrey says. “At that time, most of my work was autobiographical and I was really angry, so angry that at times the story I was trying to tell got overrun with the anger. Kate worked really closely with me to help me to learn to figure out what was at the core of the stories I was trying to tell — those lessons, about harnessing anger, and all other emotions, in my work ultimately was one of the best writing lessons I’ve ever received . . . I’m not an MFA-educated writer, and really built my own queer literary education through that amazing experience, and a few other fabulous mentors.”

In the same way queer horror/fantasy author Clive Barker mixed the magical and the mundane until the distinctions were near-meaningless, Lowrey’s tale is playful and sexy yet gets darker as it goes. The great theatre director Tyrone Guthrie once said that any actor playing Peter Pan must be “as delicate as a moth, as deadly as a bomb,” and it’s what Lost Boi has achieved as well.

 

A former editor of the late, lamented fab magazine, Scott has been writing for Xtra since 2007 on a variety of topics in news pieces, interviews, blogs, reviews and humour pieces. He lives on the Danforth with his boyfriend of 12 years, a manic Jack Russell Terrier, a well-stocked mini-bar and a shelf of toy Daleks.

Read More About:
Books, Culture, Canada, Arts

Keep Reading

A pink background with two hands made out of American dollar bills in a handshake; behind the hands are women playing sports

Womens sports is booming. Can it continue ethically?

ANALYSIS: The WNBA and PWHL are thriving, but will problematic partnerships in the interest of profits threaten their success?
Protestors under a silhouette of a singer.

Is it time for Eurovision to face the music over Israel’s participation?

Pressure is mounting for the über-popular song contest to drop its most controversial contestant
Six members of the Rideau Speedeaus hold a sign with the league's name on it in front of a pool

Queer sports leagues offer safety and joy

Recreational sports leagues across Canada are offering LGBTQ2S+ people something essential: the freedom to just show up and play
The cover of 'I Remember Lights'; Ben Ladouceur

‘I Remember Lights’ is a time machine trip to Montreal’s gay past

Ben Ladouceur’s rigorously researched new novel is romantic, harrowing and transportive