Enriched Bread Artists build a show

Marika Jemma has a few beasts to unleash


There’s something more than a little bit scary inside artist Marika Jemma, who spends her days constructing a series of pieces that depict a certain beast. “The beast refers to the darkness that lives inside us and how it comes out,” she says.

Jemma is part of a visual arts collective called Enriched Bread Artists, and some of her work, including a few of the beastlier pieces, will be on display at the collective’s 22nd annual Open Studio. For two consecutive weekends, the public will be invited into the group’s home base — two floors of a renovated bread factory — to peruse art and meet the 22 artists that make up Enriched Bread Artists.

When Jemma contemplates why she’s so obsessed with the idea of an inner beast, one thought comes to mind: “I’m a parent,” she says. “I know they’re not evil, but they’re becoming teenagers, and there’s nothing like children to offer you the opportunity to confront every part of yourself, whether you want to or not.”

Jemma’s female partner brought two kids to the relationship, and Jemma brought one. “It’s not an easy thing for anybody,” she says. “The older one, who is 13, is heading into high school and having serious issues with fear around being ostracized because she is in a same-sex family. That’s in addition to all the other issues that come up when you have a blended family.”

“I’m out, and my partner is out, and we’re almost being forced to be careful and closeted and thoughtful about [our sexuality], and I don’t want to. I’m kind of mad about that,” she says.

Jemma creates art installations from found materials, man-made and otherwise, and she will sometimes incorporate sound or video. One of the manifestations that may be on display at the Open Studio is a 1960s hairdressing chair that she’s doing a variety of sinister things to, such as covering it with fur and makeshift quills. “It has a big dome dryer on it. There’s still an ashtray in the armrest,” she says. “You sit in the chair and you can pull the dome part down, and you look out through some eye holes and it’s like a beast mask. It’s very beastlike.”

She looks forward to seeing what people think of her creations. “It’s a thrill when we welcome people into our studio — when they come in and ask, ‘What were you thinking?’ or ‘What’s going on here?’ and we share a story,” she says. “Then they invite me over to pick up their rusty junk.”

 

Enriched Bread Artists’ 22nd Annual Open Studio runs Thurs, Oct 30–Sun, Nov 2; and Fri, Nov 7–Sun, Nov 9, at Enriched Bread Artists Studios, 951 Gladstone Ave. enrichedbreadartists.com

Jeremy Willard is a Toronto-based freelance writer and editor. He's written for Fab Magazine, Daily Xtra and the Torontoist. He generally writes about the arts, local news and queer history (in History Boys, the Daily Xtra column that he shares with Michael Lyons).

Read More About:
Culture, Arts, Ottawa

Keep Reading

How ‘North of North’ is introducing Indigenous queer dramedy to a global stage

Actors Anna Lambe and Zorga Qaunaq on learning about forgiveness and queerness through their award-winning show
Barbara Hammer

Barbara Hammer’s endless influence

The lesbian filmmaker made a radical difference by making work that reflected her real life. A new documentary is cementing her legacy
Collage with two hands holding a bat, swinging towards a baseball with a dollar sign on it, against a blue background with a net, baseball player and the Olivia logo on an outfield sign

Why the WPBL partnering with a lesbian travel company matters

Support from lesbian brands and bars harks back to the queer history of women’s sport leagues
Confluence cover

‘Confluence’ brings Vancouver’s queer history to life

The late Alex Turner and his husband, Lucian Childs, have written a unique and rewarding ode to mid-century gay British Columbia
Advertisement