Fabulous at 20

Tone Cluster celebrates two decades of song

It’s gearing up to be a busy year for the members of Tone Cluster. In May, the choir will host Unison, a quadrennial choral festival for LGBT people and their allies. They will also be participating in the Mosaik Choral Festival in February. And in February the choir will celebrate its 20th anniversary with a concert appropriately titled Fabulous Twenty.

Tone Cluster got its start in 1994 as a small madrigal group (a madrigal is a Baroque vocal music composition). The choir has always been queer-oriented. “Things were a little more difficult 20 years ago . . . so it was a safe place to get together and just sing and have fun,” says Kurt Ala-Kantti, the group’s musical director. Today, Tone Cluster is a 25-voice mixed choir made up of both LGBT people and straight allies; some of the original members are still part of the group. For Fabulous Twenty, the choir will revisit some of the music it performed over the last two decades, including a nod to its early madrigal roots.

“The first thing we’re singing is ‘Sing Me Enchanted,’ which is a madrigal, and then we’re going to get into some variety of music from over the years, like ‘Drive My Car’ by the Beatles and a jazz arrangement piece called ‘Bim Bom,’” Ala-Kantti says. The choir will also perform a version of “Seasons of Love” from Rent, as well as a selection of the pieces it’s commissioned over the years.

In 20 years, Tone Cluster has worked with an impressive roster of Canadian composers, including Brian Tate, David L McIntyre, Willy Zwozdesky and Stephen Hatfield. The group is also known for working closely with other choirs and musicians, in part to help increase its exposure outside the LGBT community. “[It’s] maybe coming out of the choir closet in a way,” Ala-Kantti says, chuckling. Many previous guests will return for Fabulous Twenty, including violinist Kevin James, percussionist Alvaro De Manaya and Marg Stubington, one of the choir’s founding conductors.

As its first two decades draw to a close, Ala-Kantti is optimistic about what the future holds for Tone Cluster: “Hopefully they’re still around and going strong and singing great music and contributing to the community.”

Tone Cluster presents Fabulous Twenty
Sun, Feb 9, 3pm
First Baptist Church, 140 Laurier Ave W
$18 advance, $20 door; $10 students; accompanied children under 12, free
Tickets are available at the Leading Note, Books on Beechwood, Venus Envy and online at tonecluster.org/index.php?tickets-store.
tonecluster.ca

I am a writer, a designer, an LGBT ally, and a feminist. I have a background in visual art from Mount Allison University, and I’ve always maintained a strong interest in journalism and the written word. My real passion is for storytelling – I’m fascinated by the different ways that stories can be told, and I love exploring how different forms of media can get messages across. I’m so excited to be joining the team at Xtra as the Ottawa Mobile Journalist. I’m passionate about my city and the people and organizations that make it work, and I feel very privileged to get to share their stories with Xtra readers.

Read More About:
Music, Culture, News, Arts, Ottawa, Canada

Keep Reading

Jimmy Heagarty

‘Big Brother 27’ star Jimmy Heagerty is making for great TV. It could be even better with more queer people

By very virtue of their sexuality, queer houseguests cannot have the same experience as their straight competitors

‘RuPaul’s Drag Race All Stars 10’ delivers a wildly entertaining finale—after a waste-of-time semifinals

It’s hard to figure out just what producers were thinking with this merge format
Andrea Gibson, left, and Megan Falley, the subjects of the film "Come See Me in the Good Light," pose for a portrait during the Sundance Film Festival on Saturday, Jan. 25, 2025, in Park City, Utah.

Andrea Gibson helped me see life in the good light

Gibson’s poetry about queerness and mortality taught thousands of people how to reject apathy and embrace life
Collage of greyscale photos of a sofa, chair, shelf and the lower bodies of two people, against a purple and pink background

We need queer gathering spaces more than ever

The 11-part series “Taking Space” explores where we go next as the lights of gay bars dim