Orlando Cruz wins boxing match in rainbow flag kilt

In a sport as glaringly driven by machismo as boxing, some wouldn’t expect a fighter to come out as openly gay, nor would they expect someone to celebrate it openly. However, they would be severely underestimating the amount of ass Orlando Cruz can kick at any given moment.

In a featherweight bout with Aalan Martinez, Orlando Cruz came out in a boxing kilt (side note: anyone else appreciate a fine-looking man in a kilt? Anyone?) designed to look like the gay pride flag, and then proceeded to win by knockout.

After the fight he thanked a number of people including his trainers, his friends and “his LGBT community.” He also got emotional when mentioning his grandmother – who passed away last year – and dedicated the victory to her.

During the fight he wore a multicolor boxing kilt with Puerto Rican flags on both sides. One of the flags was red, white and blue, the other flag’s stripes reflected the color of the rainbow as a sign of gay pride. [SOURCE]

So let’s recap here: Orlando Cruz is a ripped, Latino, professional fighter who wears rainbow kilts and kicks tons of ass? There’s a term for this, I know there is . . . Ah, yes: *Sploosh*

[IMG CREDIT: advocate.com]

Keep Reading

The cast of All Stars 11

‘RuPaul’s Drag Race All Stars 11’ is a second chance for the bracket format. Will it work this time around?

Early enthusiasm for the Tournament of All Stars last season was dampened by the back half of the season, raising the question of whether this format is viable in the long term
A flaming torch

‘Survivor’ helped me climb a volcano

Instead of training for a gruelling day-long hike, I listened to podcasts about my favourite TV show. It paid off
Michaela Coel and Anne Hathaway

‘Mother Mary’ nails how devastating a first lesbian breakup can be

In A24’s new pop star drama, Anne Hathaway captures the physicality of a tormented ex-lover aching for answers—and deliverance
The cover of Afternoon Hours of a Hermit; Patrick Cottrell

In ‘Afternoon Hours of a Hermit,’ Patrick Cottrell writes a protagonist who does everything wrong—again

The pseudo-sequel to Cottrell’s acclaimed first novel brilliantly retraces old ground
Advertisement