Pick of the week: Socket

Psycho-sexual horror film is shockingly bad


There’s a fundamental difference between bad acting and bad actors.

Bad acting is typically the result of poor choices made by the actors and directors. It’s usually a matter of degrees, as when an actor shouts when he should whisper, or plays coy when he should confront his scene partner directly. Bad acting can ruin a scene or a whole movie, but it usually comes from good intentions and some clear artistic motivation, and it can even be interesting in that it gives actors a chance to experiment and fail.

Bad actors, on the other hand, stand out by their inability to use an actor’s tools — voice, body, imagination — to present a coherent action. Their poor performances do not spring from failed experiments, but from lack of talent and failure to prepare for the role. Bad acting can still be entertaining, but bad actors are rarely fun to watch.

Unfortunately, Socket, the latest psycho-sexual gay horror film from writer-director Sean Abley, is littered with the latter.

Lead actor Derek Long is the worst offender. With a grating voice suggestive of Brad Garrett without the comic skill, a body with all the searing sexuality of a cross between Robin Williams and David Hyde Pierce, and a history of starring in softcore gay movies (and one direct-to-video Seagal flick), he’s an odd choice of lead to begin with. But to call his performance wooden would be an insult to plants everywhere. I frequently enjoy looking at trees. Long is just unpleasant.

After being struck by lightning, Long awakes in a hospital bed where hunky intern Matthew Montgomery tells him about an underground club for people who’ve been electrocuted and discovered that they get off on electricity. The two become romantically involved before Long spirals into an electricity obsession that is described in hushed tones but never actually dramatic.

It’s a decent starting point for a horror story, but a weak script, terrible cast, and amateur cinematography render the film unwatchable.

Key Line: “My body wanted something, but it sure wasn’t Gatorade!”

Rob Salerno is a playwright and journalist whose writing has appeared in such publications as Vice, Advocate, NOW and OutTraveler.

Read More About:
Culture, TV & Film, Arts, Canada

Keep Reading

The cover of Work to Do by Jules Wernersbach; Jules Wernersbach

‘Work to Do’ shows just how dramatic a grocery store can get

Jules Wernersbach’s energetic novel delves into the intricacies of queer entrepreneurship, climate change—and class revolt
Side-by-side images of author Sara Ahmed holding her dog, wearing pink sparkles with dark hair, and the cover of her book "No! The Art and Activism of Complaining." The book cover is light pink with black text on a white background.

Sara Ahmed says we need more complainers, not less

Whether it’s queer community, academic or government institutions, the feminist scholar says there's value in complaints
Nini Coco with an up arrow behind her; Juicy Love Dion with a down arrow behind her

‘RuPaul’s Drag Race’ Season 18, Episode 14 power ranking: The final three

Who can win? Who will win?
Zane Phillips

‘RuPaul’s Drag Race’ Season 18, Episode 14 recap: Top of the morning to Ru

We’ve finally reached the end of in-season play, with just a LaLaPaRuZa and finale to go
Advertisement