Jordan Clayton’s Male/ /Female

University of Ottawa student Jordan Clayton wants you to question gender norms.
His new show, titled Male/ /Female, explores the fluidity of gender and internalized homophobia. Clayton took time before his vernissage to answer questions from Xtra about his sexual work and his own coming-out process.

Xtra: Did you experience internalized homophobia yourself? I would agree that many young gay men continue to self-hate. If yes, how did you personally tackle this and come to terms with your own sexuality?

Jordan Clayton: Looking back on the past couple years I would say that I have not felt the need to self-hate after coming out. I was fortunate to come out to a very accepting and loving support group, which happens to include my close family. Though the process of coming out was difficult on me, it allowed me to grow up very quickly into an individual with the presence of mind to accept and love myself as much as those around me.

That said, fresh out of the closet I was one who idealized masculine men and feared alternative gender. I am very proud that I have left those ideals behind and opened my mind to conceptualize the fluidity of gender expression.

What has the reaction from your instructors and fellow students been? Has there been any negative or homophobic reaction?

The body of work to be presented was painted in my own personal studio, so I have not received input from the instructors. However, I do anticipate an interesting and positive reaction, based on the reaction to my previous work. The peers that have seen my work in progress for the show have reacted positively and have expressed interest in what I have to present about my thoughts on gender.

The addition of stereogram paintings is an original attribute to your work. Do you feel this effect gives the work more depth or is it simply for the visual impact?

The decision to create stereograms is a way to both invoke reaction and provoke thought. The show is centralized around dichotomies, and I believe the presentation of a left/right image of a stereogram is both literal and tongue-in-cheek. The fusing of the images with the viewer forces the viewer to accept the presence of a gender spectrum.

The show is titled Male/ /Female. Do you consider yourself 100 percent male, or is there some fluidity to your own gender identity?

Currently, I identify as a gay man; however, I find labels to be limiting and that they invite the possibility for one to be faced with a degree of adversity. I’m unsure of how I will choose to identify in the future – if I choose to identify! Whatever that choice may be, I shall make it proudly.

Jordan Clayton’s Male/ /Female vernissage

 

Friday, March 15, 5:30pm (on display until March 22)

Gallery 115

100 Laurier Ave E

“At the Bottom of the Faggot Tree”

“Inner Diva”

Algonquin College journalism grad. Podcaster @qqcpod.

Keep Reading

The cover of Shut Up, I Love You, I'll Call You Tomorrow

These short stories show the power—and price—of trans community

Sloane Murphy’s “Shut Up, I Love You, I’ll Call You Tomorrow” depicts a trans Chicago brimming with pathos, humour and pain
Cover of the book "To the End" next to a black-and-white headshot of Morty Diamond, against a rainbow-hued image and a turquoise background

Morty Diamond gets real about queer marriage—and divorce

The therapist tackles the culture of silence around queer breakups in his new anthology “To the End”
Gigi Gorgeous

Gigi Gorgeous wants to help queer and trans people have kids

The mother of YouTube came up doing makeup tutorials. Now she’s opening up about her fertility journey
A close up of a vintage movie camera with a zoom lens on black.

I’m tired of gay period films

“La Bola Negra,” “Elsinore” and “Coward” are some of the year’s buzziest films. They all make the same mistake
Advertisement