Flaunting censorship with a screening of Fire in My Belly

Gallery 101 to show controversial video

The banning of David Wojnarowicz’s short film A Fire in My Belly by the Smithsonian Institute set off a censorship boycott around the globe. Gallery 101 on Bank St and The Village have joined a growing number of artists and galleries that feel the censorship is bullshit and that the film should be seen.

On Saturday, Jan 8, Gallery 101 will screen A Fire in My Belly in solidarity against censorship of the film.

Glenn Crawford, chair of The Village and a Gallery 101 staff member, received the film from HideSeek, an organization responsible for overseeing the protest screenings. Crawford had been following the controversy and became passionate about the need to show the film in Ottawa.

“Censorship in any art form, whether it is literature or visual art, is something that I find pretty deplorable,” he says.

Wojnarowicz’s film was originally part of an exhibition, Hide/Seek: Difference and Desire in American Portraiture at the Smithsonian Institute in Washington. It is the first major museum exhibition to focus on how artists explore the fluidity of sexuality, the role of sexual difference in depicting modern America, how art is affected by social marginalization and how art reflects society’s evolving and changing attitudes.

Just months after the exhibition opened in October 2010, the Smithsonian caved under pressure from the religious right, which deemed the video anti-Christian. The museum was ultimately forced by the US House GOP Leaders John Boehner and Eric Cantor to remove the film from the exhibition.

After the film’s removal, museums around the world stepped in, showing the film as a protest against censorship. A Fire in My Belly is described as “a poetic meditation on man, life, death, faith and suffering,” made in part as a response to the AIDS-related death of Wojnarowicz’s lover, artist Peter Hujar.

Read More About:
Culture, Human Rights, Ottawa, Censorship, Arts

Keep Reading

Bentley Robles

Bentley Robles wants a brotherhood of gay pop stars

The yellow-haired singer talks rising stardom, Zara Larsson and dating while gay-famous
Vivek Shraya being kissed by a man

Vivek Shraya is hot, blond and hitting the dance floor

The Toronto multi-hyphenate’s new album, “VIVICA,” shirks respectability politics for a sensual, high-gloss exploration of queer and trans desire
Morphine Love Dion, Dawn and Morgan McMichaels

‘RuPaul’s Drag Race All Stars 11’ plays it safe for the first bracket—until the very last minute

Already, we see the consequences of only two queens moving forward from each bracket to the semifinals
The cover of Alice Stoehr's Again, Harder. The book has black letters on a lilac background. In the middle of the cover is a red rectangle with a black line drawing of it. The drawing is of two figures entangled; they have human bodies but animal heads. The same image serves as the background behind the image of the book cover.

‘Again, Harder’ captures being part of an in crowd made up of those on the outskirts

Being trans can be a vital way to connect. Author Alice Stoehr illustrates how it can also be the extent of connection
Advertisement