An education in culture, courtesy of Lady Gaga

In her first column for V magazine, Lady Gaga wrote, “Any writer, or anyone for that matter, who doesn’t understand the last two sentences of this column should NEVER be writing about or critiquing fashion or artists in publication.”

Here are those last two sentences (if we’re being technical, it’s actually three): “After weeks of writing this article, I ask out loud, ‘What do you think YSL would think of my metaphor about his collection?’ My darling hair designer, Frederic, replied, ‘You could ask Nan Kempner, but she’s dead.’ Now there’s a queen who never left home without her library card.”

I too am a queen who never leaves home without my library card, but up until writing this article, I had never heard of Nan Kempner. Good thing I don’t consider myself a writer or a critic; I’m just a word vomiter and a bitch. So sorry to disappoint, but I don’t think I’ll be resigning.

For all of you who aren’t snobby fashion savants, Nan Kempner was an iconic New York socialite with a penchant for couture, particularly YSL. Diana Vreeland, a former Vogue editor, once said, “There are no chic women in America. The one exception is Nan Kempner.” I’m sure Lady Gaga has an affinity for the late society queen, who, as a child, was told by her father, “You’ll never make it on your face, so you’d better be interesting.”

Words, evidently, that Gaga lives by.

Keep Reading

Sun

Rosalía’s ‘Lux’ tour taught me things I didn’t even know I could know

After years of pining, I finally went to the Catalan superstar’s concert. I wasn’t ready for what it did to me
The protagonists of Blood Lines embracing

The big twist in ‘Blood Lines’ is more than shocking

Gail Maurice’s queer Métis romance takes a massive risk—letting it dig deep into the pain and loss perpetuated by colonial structures
A still from Girls Like Girls

‘Girls Like Girls’ once meant everything to me. I’ve outgrown it

Hayley Kiyoko’s new movie tries to recapture the magic of the mid-2010s music video it’s based on. But time has dulled its revolutionary edge
John Early in Maddie's Secret holding two jars above an open box

‘Maddie’s Secret’ is the movie about eating disorders we need

John Early’s pastiche of after-school specials mixes belly laughs with gut punches. It’s a rare masterwork
Advertisement