All infomercials are secretly terrifying

If, like me, you work from home because you dropped out of college and therefore don’t have a real job (woo! Suck it, English majors!), then chances are you’ve probably seen one of the many infomercials floating around out there where overly cheerful white people lose their shit over a machine that will inevitably break after about three uses. And if you’re like me, you stare at them the same way you stare at clowns or the spider standing between you and the bathroom: with sheer, unadulterated horror.

Think about it: the occupants of infomercials live in some sort of pocket universe, a microcosm where their joy and, to a lesser extent, their entire being, revolves entirely around one specific little contraption. To properly conceptualize this, walk into your kitchen and pick one appliance. Imagine you live your entire life around it like some sort of inanimate, benevolent dictator who, on occasion, makes toast. See what I’m getting at?

Nothing encapsulates this theory more than the commercial for the baby bullet! Yeah, someone out there figured that mothers would line up to buy crappy smoothie makers if they called them baby bullets. I know, right? Anyway, when played at the regular speed, the damn thing is pants-shittingly terrifying. But when slowed down, it offers a passing glimpse into the soul of a man as he watches everything that he is die. I’m pretty sure this video was playing on a loop in HP Lovecraft’s mind for his entire life. Needless to say, it is hysterically funny, but NSF YOUR SOUL.

Keep Reading

Japanese katana samurai sword hang in air over Black background isolated.

Saying goodbye to ‘Kill Bill’

Quentin Tarantino’s martial arts epic has been tainted by shocking revelations about what went down behind the scenes. Can it be redeemed?

‘Canada’s Drag Race’ Season 6, Episode 5 power ranking: Chatty chicks

The talk show maxi-challenge puts the queens’ charisma to the test
Sami Landri

‘Canada’s Drag Race’ Season 6, Episode 5 recap: Hot in ‘The Shade’

A talk show challenge sees a “made-for-tv” queen take the win
A collage with colour images of Cole Escola and Anania, black and white images of Gavin Newsom and Bari Weiss, and the numbers 2025 against an abstract pink and white background

Righteous queens and shady bitches of 2025

Here are the main characters that made, and broke, the year in queer