14-year-old drag queen

Sharon Adams and her son Tom Adams talked to the Daily Mail about Tom’s love for all things sequin and stiletto.

Tom, who also goes by Tamara, started performing in drag more than a year ago with the encouragement of his dance teacher. “I love to entertain, and this feels natural,” he said. “I don’t want to be a woman, but I like the feeling of being in drag. It’s glamorous.”

He admitted to being bullied in school but is determined to be himself. “It doesn’t matter what the bullies say,” he shrugged. “I’m my own person and this is what I enjoy. I was worried about what people would say at first, but as soon as I had my fake eyelashes on I loved it. I like transforming myself.”

“He never wanted to play football or rugby,” Sharon said. “Tom loved to dance ballet, jazz and tap. He’s really outgoing, so we encouraged him. It was completely his decision.” Recalling her son’s first drag performance, she beamed, “I felt so proud. He was wearing a short blue dress, false boobs, a short blond wig and high-heel shoes. He had false nails, eyelashes and green eyeshadow — the works! It didn’t freak me out a bit; it was an amazing performance.”

Keep Reading

The cast of All Stars 11

‘RuPaul’s Drag Race All Stars 11’ is a second chance for the bracket format. Will it work this time around?

Early enthusiasm for the Tournament of All Stars last season was dampened by the back half of the season, raising the question of whether this format is viable in the long term
A flaming torch

‘Survivor’ helped me climb a volcano

Instead of training for a gruelling day-long hike, I listened to podcasts about my favourite TV show. It paid off
Michaela Coel and Anne Hathaway

‘Mother Mary’ nails how devastating a first lesbian breakup can be

In A24’s new pop star drama, Anne Hathaway captures the physicality of a tormented ex-lover aching for answers—and deliverance
The cover of Afternoon Hours of a Hermit; Patrick Cottrell

In ‘Afternoon Hours of a Hermit,’ Patrick Cottrell writes a protagonist who does everything wrong—again

The pseudo-sequel to Cottrell’s acclaimed first novel brilliantly retraces old ground
Advertisement