Matt Damon on topping Michael Douglas

Matt Damon and Michael Douglas are on the cover of Entertainment Weekly, talking about their HBO Liberace bio-pic Behind the Candelabra, which airs in May. In the interview, Douglas, who plays Liberace, and Damon, who plays his lover Scott Thorson, talk spray tanning, having Liberace as a neighbour, and taking it up the ass:

Damon on getting bronzed: “Every Sunday night, this girl would come to my house and I would stand in my garage and I would hike my boxer briefs up into the crack of my ass and she would give me a spray tan.”

Damon on his wife seeing him in revealing bathing suits in the film (metallic thong, anyone?): “We’ve been through three childbirths, we’ve been in the trenches, there are no secrets. But I really wish she didn’t see that. That’s too much.”

Douglas on his dad, Kirk Douglas, being neighbours with Liberace in Palm Springs: “I remember meeting him just in passing, in his convertible with the top down — his hair not moving.”

Damon on topping Douglas: “The scene where I’m behind him and going at him, we did that in one take/ We do it. Cut. There’s a long pause. And then you just hear [director] Steven Soderbergh go, ‘Well… I have no notes.’”

Keep Reading

How ‘North of North’ is introducing Indigenous queer dramedy to a global stage

Actors Anna Lambe and Zorga Qaunaq on learning about forgiveness and queerness through their award-winning show
Barbara Hammer

Barbara Hammer’s endless influence

The lesbian filmmaker made a radical difference by making work that reflected her real life. A new documentary is cementing her legacy
Collage with two hands holding a bat, swinging towards a baseball with a dollar sign on it, against a blue background with a net, baseball player and the Olivia logo on an outfield sign

Why the WPBL partnering with a lesbian travel company matters

Support from lesbian brands and bars harks back to the queer history of women’s sport leagues
Confluence cover

‘Confluence’ brings Vancouver’s queer history to life

The late Alex Turner and his husband, Lucian Childs, have written a unique and rewarding ode to mid-century gay British Columbia
Advertisement