Tales of beaver tails

Political and religious freedom: the reasons you hear for Europeans colonizing North America. Under this ideal hides the more common truth: trade. Whales, cod and pine were all fine attractions, but the most profitable and wanted of all was the beaver.

A serial frenzy! Every dandy with fashion sense in the old world needed a beaver pelt hat. It was a mascot of Canadian prosperity right from get-go. Whose furry body do you think ended up on Canada’s first stamp? Hint: not the Queen’s.

Too much of a good thing can be deadly; the beaver should know. A close call by all means, the population went from millions pre-fur trade to near extinction by the mid-19th century. The tides of change saved its skin as the current moved to silk top hats.

As thanks (or apology), the rodent officially becomes national symbol of Canada in 1975. In the same year, Jaws is released, the Vietnam War ends and Microsoft becomes a registered trademark . . . events overshadowing its moment of global fame.

No matter. The beaver is a versatile creature. It stands for the bearded bear you love or your girlfriend’s palace of wonders. So powerful is our visual association of the beaver’s furry body with certain human body parts that last year, Canada’s best-known history magazine changes its name from The Beaver to Canada’s History. A case in point of shaving the beaver.

While we’re on anatomy, let’s talk about the beaver’s tail. So inspiring a body part that in 1978, the Ottawa-based Hooker family decides to name their fried-dough pastry in honour of it. Now, more than 30 years later, from the home of the yummy Beavertails comes Beaver Tales.

Representing Ottawa’s LGBTQ beavers — hairy and smooth — Beaver Tales will sharpen its teeth daily and chew on Ottawa’s news and trends. Sexual and political freedom: the reasons I scribble. Underneath the struggle, a jovial and infinite respect for fine beavers everywhere.

THE GAY BEAVER. Mascot of the Montreal 1976 Olympic poster. (Design: Yvon Laroche, Pierre-Yves Pelletier & Guy St. Arnaud, Graphics and Design Directorate.)

On a new career adventure, I perform as a Stage Hypnotist (clubs, fundraisers, private shows, etc; www.BrandonTheHypnotist.com), as well as maintain a private practice in downtown Toronto as a Certified Consulting Hypnotist and Hypnotherapist (in short, I use hypnosis to help people overcome everyday problems.) Between August 1993 and January 2016, I worked with Pink Triangle Press (publisher of this website) as Publisher & Editor-in-chief and Director of Publishing. I joined PTP in August 1993 to establish the Ottawa operation and launch (then called) Capital Xtra, later rebranded to Xtra Ottawa. During my 22.5 year tenure with PTP, I lived and worked in Ottawa, Vancouver, and since 2001, Toronto. At some point, I served as Publisher & Editor-in-chief of every print product PTP published.

Keep Reading

A still image of Anne, played by Amybeth McNulty, in braids and a coat, looking at another child in Anne with an E.

Why the adaptation ‘Anne with an E’ speaks to queers and misfits of all kinds

The modern interpretation of Anne of Green Gables reflected queer and gender-diverse people’s lives back at them 
Karla Sofía Gascón as Emilia Perez in Emilia Perez. Gascón wears black with colourful embroidery, has long hair, and a brown purse and delicate chain.

Trans cartel musical ‘Emilia Pérez’ takes maximalist aesthetic to the extreme

REVIEW: The film’s existence raises intriguing questions about appropriate subjects for the playful machinations of French auteurs
Dorothy Allison sits behind a microphone. She has long, light-coloured hair and wears glasses and a patterned button-up shirt.

5 things to know about Dorothy Allison

The lesbian feminist writer passed on Nov. 6

‘Solemates’ is a barefoot stroll through the history of our fetish for feet

Queer historian Adam Zmith’s newest book allows us to dip our toes into the past of a common, yet stigmatized, kink